Wednesday, May 18, 2016

Artistry Needs Standards

Generous people sometimes call me an artist but I have always rejected that descriptor. I think of myself as an entrepreneur (who chose to work in the arts).

I believe I am an entrepreneur because I love problem solving and detest routine. But without a doubt, being my own boss was my primary motivation. I had jobs with bosses in my twenties but for most of my life the commerce of my adult life was built around the exploitation of my skill with (technical) writing that could be done at home.

An entrepreneur makes far more money than an artist. And thank God for that because I had bills to pay and never enjoyed parental financial largess; nor did I have a partner.

But I am a creative person: Besides writing, I’ve designed public spaces, a game, costumes and sets. I am very comfortable calling myself a creative person but, as I say, I have never liked nor used the term artist to describe myself.

Young artists create to earn respect, fame and/or money. I never did that. To be truthful, I came to the arts because I was a closeted homosexual in 1970 when I graduated from college. I’d made a mistake becoming a high-school drama teacher so I fled to join an emerging theatre company. I didn’t want to be an artist; I just wanted to make my living being part of a “safe” accepting community.

Artists are driven by curiosity. They experiment and the best of them advance our appreciation and understanding of their technique, subject or scale. As a consequence of their work, they inherit their reputation and, optionally, financial return. A great artist is what all artists want to be.

Great artists are obsessive; their work holds primacy in their life. If we call great artists “A” artists, the rest of us are B artists. For every A artist there are hundreds of thousands of competent, talented, hard-working, professionally oriented B artists. For B artists, love, money (me), fame and/or comfort are primal.

Healthy B artists understand and accept their status. I am in that camp; as I have said, I thought of myself as an entrepreneur whilst working. My pride as a B-level artist lay in the integrity with which I conducted myself and did my work.

There’s another reason I don’t call myself an artist: The word has no meaning. A lot of people wan to be artists but I reserve use of the term only for professionals because I believe in standards.

Artists earn their title from objective sources: critics, producers, publishers, unions, juries, etcetera; you cannot designate yourself an artist. Allowing anyone to self-title themselves as artists demeans the title when it is applied to hard-working career-oriented professionals and I won’t have that. I idolize artistry and reserve the right to the title for the deserving.

If you call yourself a doctor and you do not have an M.D. or PhD, what are you if not a liar? It’s a crime to practice medicine without certification. Or engineering, or dentistry, or teaching in accredited schools. Every profession has standards. So should artistry. 

I respect all artists, good and bad, A and B. They am truly passionate about “my people” no matter where I find them — from auditoria to galleries, gardens and kitchens. I admire everyone who lives creatively. But I also recognize that in every field of human activity there are varying degrees of capacity.
















Tuesday, May 17, 2016

No Movie After All


A movie of my life is not going to happen and I think I am actually glad that Convergent’s plan fell apart.

Their interest in my screenplay came from a long-held desire on the part of Convergent, a national pay TV English-language broadcaster, and Télé Cinq, a national pay TV French-language broadcaster, to work together. Convergent owns OutTV, Canada’s LGBT pay TV channel and Télé Cinq serves Francophones outside of Quebec and since my story has a gay minor theme and is a bilingual story at its core, Uncle Gus’ Monkey was an ideal property for them to develop together.

It always comes down to people: Brad runs Convergent and a friend of his ran Télé Cinq but she was fired after I signed the contract with Convergent.

My contract sold all my rights to the story and bound me to the project as writer through both pre-production and the production schedules but my attitude towards my past has changed since signing it.

In 1990 I stopped to help a guy in distress. He turned out to be a mugger who forced me to drive to two different locations whilst he held a knife to my throat. When I got away and went to work, I had a “guess what happened to me” attitude as I burst into the office and my co-workers were fascinated.

Then our boss, a dear friend, arrived and I lost it. I had a horrific breakdown. The cops were called, the guy got caught and he was charged with kidnapping. Imagine that! Me; kidnapped.

My point in recalling that story is that I wrote my screenplay in the same “guess what happened to me” headspace that possessed me after the kidnapping. Now those events, too, have caused a breakdown that has brought about a change in my feelings — and not just about my history. I have a new relationship with privacy. I’m far less inclined to share; there’s now a ‘line in the sand.'

Monday, May 16, 2016

Two Wallanders; Speech Revelation


This morning I watched a video about James Earl Jones because in it, one of the most famous voices of all time talks about being a stutterer; he is impressive in every way. Then I watched the video above that enchanted me.

Last night I watched Kenneth Branagh in the BBC's TV series, Wallander. I have also been watching Mankell's Wallander, another series based on the same books by Henning Mankell that is made in Sweden. For me there is no comparison between the two. The BBC series is dreadful compared to the Swedish-made series. The Swedish version is fabulous. The angst of the BBC series is forced and the characters are clichéd; the writing sucks. In the Swedish series the characters are complex and feel far more authentic.

Another week, another three therapy sessions. It's the same again next week but next week one will be my first speech therapy session. I have no idea what I am in for. I am most curious about the process. I wonder if I get more than one session, and if I do if it will it be weekly like my other therapies or occasional.

This morning, I did something I often do. I decide to try and say two words that are often difficult for me; the words are "Saturday" and "eleven." I close my eyes, take a breath and then I stutter no matter how hard I try not to. But this morning was a revelation.

I've long understood that there's a connection between "commencing" speech and stuttering. I've often told people, "I have trouble getting started." In terms of both a sentence and a conversation, I get better as each progresses. My revelation this morning was realizing that my intake of breath triggers spasm in my diaphragm and that makes me stutter. If I take in all my breaths very slowly, I don't stutter.

The only problem with this insight is its impracticality. It's impossibly difficult to do when engaged in a conversation. I believe, however, that all my speech practicing to date and this self-discovered awareness of the breath/stutter connection will impress my speech therapist, Dr. Ramage. (I've always wanted to impress my teachers.)

Sunday, May 15, 2016

Picnic #1, 2016

Allan and I summon the spirit of competition.
Larry pays obéissance to the winner (who may be s
lightly overdressed) observed clutching  his ball to his breast.

That Old Hero/Murderer Thing


This morning I discovered a "hero" I've long admired, Edward  Muybridge, is actually a total shit.

Muybridge invented moving pictures in 1878. When I was curating photography I discovered his story and exhibited some of his images. What I did not know is that he was a murderer and that he abandoned his son, Floddie.

Drew Christie exposed the sordid flaws of my former hero in this short film called The Emperor of Time. He uses a mutoscope (a devise not unlike a flip book upon which the peep show industry was built in the early 20th century) to tell the story and he tells it in Floddie's voice.

Saturday, May 14, 2016

Domed!


It's wrapped in plastic wrap so no moisture escapes. It sits now, in an inverted bowl for two weeks, then the chocolate and nuts go on. All this work. I can hardly wait to cut it into slices at the party and see how it presents. I plan to cut it with HOT knives to get a nice finish on the slices.

Progress with Festival des Glaces



This is my pistachio cream cooling in an ice bath. Soon I will start churning it and then I will pour it into a mould into which I will submerge the other pre-shaped layers. The pistachio is incredibly delicious. I had never made ice cream before, except in class, so this has been a revelation. I will never buy ice cream again. Next: The chocolate shell and I have decided it has to be crushed pistachios (not roasted hazelnuts) on the outside. It's my first 100% original culinary creation. Yum!

The pistachio layer is not nearly as think as it appears in the diagram. It's actually quite thin on top and thicker on the sides.