I have a strong idea for a project: A show
about Rita. It is a delicious story. Over the next few months, I will be
thinking about how to tell it. Rita
the musical? No. Rita and Me, a
straight play. Nope. Done both those forms. Rita
and the Lonely Angry Boy, a stylish fable? Maybe. I am not sure of the
form, but there is a great story in our relationship. They say, "Write what you know."
Then there's what to do with it. There are options. I could produce it myself at
PAL or At Presentation House space and earn a considerable return. Or I could
pitch it to Presentation House where I am creating a good relationship, but to
be part of their season, not an add-on as has happened with Trudeau.
But then there’s Pacific Theatre, given the
nature of the story. What is remarkable and wonderful is that I have confidence
and I think I have choices. I am not the inexperienced insecure writing man/boy
any more.
With both Knock Knock and Trudeau heading into production, I am an “emerging”
playwright and screenwriter of promise. Finally, at age 67, that is true and I
can fairly expect producers to read my work with interest.
With each success my audience builds. I
filled the teeny-weenie PAL theatre for four shows with friends. After Trudeau, that audience will grow because
I am going to offer them a print or something so that I can capture their email
addresses to add to my mailing list.
After Trudeau, I will be able to self-produce at PAL for a week with my own audience using my expanded mailing list, thereby earning enough to continue this new career in perpetuity. I can only write work that gets seen.
I don’t believe in
possibilities, I believe in certainties.
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