Crying in the
waiting room. I wonder what the other waiters were thinking.
I had a CT scan
late yesterday afternoon. I’d spent all day indoors working on my Peacock dress
so on my way out I picked up my mail and it had my first magazine from the
Stuttering Foundation.
While I was
waiting for the scan, I decided to read the magazine. That’s what made me cry;
I was overwhelmed by that “I’m not alone” feeling.
In particular,
it was an article about Budd Schulberg, the author of the screenplay for On The Waterfront, who stuttered. “He
[Budd] mentioned a conversation with one doctor in which he stated that his own
father, the famous B. P. Shulberg, also stuttered — but as an adult, only under
times of stress.” That’s me.
Also: The
Foundation has made a film called A New
Look at Stuttering. They’ve posted a
promotional video about it on Youtube and all the speakers in the video appear
to be stutterers yet in the video they
are not stuttering! That’s me too!
And another
thing: I’ve said the word “hotel” with the accent on the first syllable for
years. My friend Bruce conjectured that is was due to exposure to the Indian
pronunciation of the word whilst I was in India. But I don’t think that is the
reason.
If I try to say
the word with the accent on the second syllable, I cannot say it. Nothing comes
out. But if I say the word with the accent on the first syllable, it is easy
to say. This is a common trick stutterers use and I was doing it unconsciously.
Learning this
and all the other insights I derived from the magazine were — there’s no other
word for it — exciting! And that is why I cried.
Why do I not
stutter after a seizure? Here’s what I learned from Budd Shulberg: “Master
Tarbell and I were members of the track team and we’d relish sprinting because
afterwards we’d hyperventilate and have totally fluent speech.”
Why am I
confident of my upcoming Flame story-telling that I’m delivering in rhyme and
semi-singing? Budd: “A group of us would walk around in a large circle,
performing like seals, first singing the lines that the therapist gave us, then repeating them in a singsong voice.”
Me again.
In the back of
the magazine are letters to the Foundation from child members. I was touched by
the self-portraits stuttering and the revelations of the letter. But it was
Maddie’s letter that had me bury my face in the magazine while I was waiting
for that CT technician to call me into her laboratory.
“Hi. My name is
Maddie. I’m nine years old. I have something that helps me not stutter. It is
called my robot voice.”
I have named my
voices too: I have Tonto, Rand and Robovoice. Then there’s “my” voice, the
stutterer. Reading that not only does Maddie name her voices, but that we share
a Robot voice just got to me. Imagine: A sixty-eight year old man crying in a
waiting room over a letter by a nine-year-old over kinship.
The kids in the
letters kept referencing “pull out” and “cancellation” in their letters. These
are clearly coping techniques for stutterers that I knew nothing about.
Cancellation: After a stuttering event has occurred, the pws waits a few seconds
and then produces the word again in an easier manner that is slower and
controlled. Another option is to reproduce the stuttered word fluently.
Pullout: PWS must catch themselves in a moment of stuttering and then produce
a pull-out, easing themselves out of the stuttering event. The speaker must not
rush through the rest of the word, but produce it slowly and in a controlled
manner as when canceling a stuttered moment.
What got me
here was the term, “stuttering event.” I had no idea other stutterers were
episodic like me, or that words starting with H or W are hard for all “pws”
(people who stutter).
I am so not alone. Neither am I unique. I am
part of 1% of the population. And I am so incredibly happy to have discovered
the Foundation.
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