You get a day,
nice and clear of any responsibilities during which you can get a lot of “work”
done on a dress, and what do you do? Nothing. Well laundry and napping and
reading and some cat lovin’. I did f-all on Friday but it was fine. I cleaned
up my place thoroughly—when you live in your studio, you live in chaos.
Saturday ended
with dinner at my favourite neighbourhood restaurant, La Brasserie, with Bruce.
•
It seems to me
that something good has happened.
Since my
breakdown I’ve been trying to learn how to live with my symptoms but my
symptoms kept changing. For example: I spent four of the past nine months
learning to live with seizures that I no longer have. I believe this new and
welcome sense of calm I feel is because my condition has stabilized.
I posited my
insights with Dr. Shoja last week and her responses, as I wrote here
afterwards, recognized and rewarded the advancement I felt I had made—I am
living with a much clearer understanding of my condition and, therefore, how to
live with it.
I’m okay with
life with anxiety (C-PTSD) and stuttering. I am, as is said nowadays, “cool
with that.” It may improve, but if it doesn’t I am absolutely fine with who I
am today.
And this new
calmness infuses the “work” I do on my dresses. And I’m feeling that there is life
emerging in the script. I’m writing in entirely new way—I’m writing out of
sequence. I’ve never ever done this before; technical writing makes you a slave
to logic and/or chronology.
Today I will
trash the sculpture dress and start again armed with a new sense of calm and
confidence. And I’ll continue with this new way of writing I love.
I felt my
emotions deeply when I learned that my friend Donna had been murdered by the
man she loved for four decades. So when I felt feelings that matched those of a
character in my script, I wrote while feeling that emotion. It was incredible
and nothing like technical writing. It
was absolutely thrilling.
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